When director Austene Van recounts her memories of her first experience with Black Nativity over 15 years ago, she describes how it forever changed her life, in large part because of the family she found in her fellow artists here at Penumbra. This sentiment is echoed by many of Penumbra's performers and is evidenced in the company's unique ensemble esthetic which prizes inter-generational mentoring and emphasizes the strength of the communal over individual stardom. Here in this place, actors, singers, dancers, designers and technicians come together, grounded in the company's history, and the history of Black Nativity itself. The original book of this holiday gospel musical, written in 1961 by playwright and poet Langston Hughes, has made multiple transformations on Penumbra's stages over 21 years. While the Walker family in Penumbra's contemporary rendition continues to change this year, through both scripting and embodiment, what has not changed are the traditions of singing, dancing, quilting, and storytelling at the heart of the production. More than simple entertainment, these oral and physical histories bespeak enduring African American values and shape and confirm each family member's place in the whole. Black Nativity exemplifies these values and invites you, the audience, to share in them as you hear once again the tale of joy, hope, and faith that animates the Christmas season. May the spirit of family envelope and enliven each one of you gathered together in this space this day.

Stephanie Lein Walseth
August Wilson Fellow